Author: mcfstop

  • Burningman 2008

    Is this the end of Burningman, as we knew it?
    I think not.
    But the times are definitely a-changin’.
    2008’s theme was a timely focus on the American Dream. But does ‘more’ equate with ‘merrier’?
    It’s almost inevitable that gatherings of creative souls that attract public attention lose impact as the ratio of active to passive players decreases. The population of Black Rock City has doubled since I first went in 2000 and I reckon my BM jollies have halved in those 8 years.

    The same factor of 2 can also be applied to increases in cost and authoritarian interference. I have no issue with the cost but what used to be an anarchistic arts fest has turned into something else bound by (enforced) rules of conduct that contradict the original concept of antiestablishmentarianism. It used to advise on the tix, ” upon entering, you accept the possibilty of serious injury or death” but more importantly, and emphasized underneath that in bold caps, it stated that YOU MUST PARTICIPATE. That used to be about the only rule at Burningman. The word participate no longer even appears on the ticket. Is it just assumed or has that priority fallen by the wayside?
    I don’t think there’s a burner out there who hasn’t said “it was better before”. But we keep going back for the rejuvenating experiences that do happen, and happen only at burningman. Happenstance and serendipity connect the fabric of all things BM. Someone needs something; flexible, about 8 feet long and pointed at one end, et voila, someone wil have it and give it gladly. They might even throw in a homebaked cookie. People wander around just giving stuff away. It’s a good thing. Edible things, drinkable things, wearable things. I was sitting at camp one afternoon having a chin wag with long lost cousin Sam who walked back into my life from the desert, and a girl skips by announcing to every person and camp that she passed that she was after the makings of a cat-woman outfit. She didn’t have to travel more than a half dozen blocks before she had a complete costume, right down to whiskers, tail and pointy ears.
    Despite desire, I have never managed to devote time and resources to any significant personal BM project, so I bend the rule and do my bit by giving a hand where it’s wanted. That has involved helping in some big or small way to build Temples, conics , camps, cars and a multitude of smaller assists. Participation can take many forms.
    This year Ellen and I put most of our last minute energies into making a cool camp with an emphasis on shade. Old sails, twine, timber, flags and fans @ 3.29 & Gremlin. “Passing Wind” we christened our home mostly for the crasser interpretation but the dust storm that raged during set-up may have had something to do with nomenclature too!

    No-one was spared the dust and wind.

    Weather also had a lot to do with the state of the playa. Apparently, a series of freezes and defrostings earlier in the year disrupted the make-up of the ancient lake bed’s surface. It wasn’t its usual hard, deadpan solidity but a much softer, thicker version that made a mockery of any but the fattest bike tyres. Cyclists at BM08 were reminded that they used to call them push bikes. Leaving car tracks used to be frowned upon; this year they were marginally better than the surroundings and were followed like donkey trails. If daytime cycling was tough, nighttime biking was quite implausible.

    To accomodate the 49,000 burners the city planners took the 3 inside streets and put them to the outside which made it MUCH BIGGER , across and radially. Most of the streets were corrugated and soft. So to get from, say, the airport to the Man, you’d need to pack a picnic. And not a bad idea at that.

    And the wide-open spaces of the playa were very wide and very open and punctuated by a smattering of art installations and desert distractions. It was a long haul between highlights. At night the space was EVEN BIGGER and any bright light became a beckoning beacon, and like moths to the flame we trudged, only sometimes scoring something social or interactive. Nothing like a giant rubber ducky disco out in the deep playa this year…. The lucky playapeeps retreating from the void got rides on vehicles back to the Esplanade but even that thoroughfare could be so strung out that there just weren’t the usual concentration of sideshow attractions.. And music this year was pretty bad. Wandering from soundbite to soundbite waiting for something to get the dancin’bones shakin’…. but nothing hit the spot. Friday night was a disappointing anticlimax. All dressed up and nowhere to go.

    OK. Ya! Time to get off the blog soapbox. Shuddup and dance.

    A damsel in de playa.

    giant origami

    cassette slot DJ – mobile disco. Fast Forward. Fun ride.

    Altered State, the aptly named and beautiful-by-day-or-night structure became site of many a BM wedding ceremony. A Hopi Indian quotation inscribed on one of the internal ladder rungs stuck in my head: “We are the People we have been waiting for.”


    And this was the brilliantly simple photo op; everyone’s chance to be on the cover of NatPlayo.


    outerspace

    looooong strings of helium balloons dance the conga across the playa sky. Always good to see the third dimension used at BM. At night the daytime adornments of tinkling bells were swapped for cylume sticks so that the 500′(¿) trails would light up like bioluminescent nematocysts in an upside-down inky sea. Mesmerising by day or night.


    The Temple of 2008 was a beautiful monument to waste. Basura Sagrada was, like all it’s predecessors, essentially more popular than the Man itself. Sunday’s burn is for many the most anticipated event. This is mainly because it is is full of humanities blood sweat and tears. Not through it’s construction but through the pain and love and suffering expressed by visitors and left as a spiritual statement, an absolution, an apology, a plea for intercession, thanks, love or some emotional sentiment to be delivered by conflagrant updraft. This year the crafty constructors got to design and build their own viewing seats around the perimeter. This shot includes the decorated arch of one.


    somewhere around 9 o’clock on the esplanade I think…hollow, light filled columns highlighting original glyph designs that looked at least in part, mayan inspired.


    Wings of Desire? No. Spread Eagle.

    Ruth and Tim of WindFireDesigns were part of the DOTA camp (Department of Tethered Aviation). The daily displays of kite flying en-masse and individually were one of the most entertaining features of the burn for me. Tired of one-too-many propane spewing metallic monsters, kites provided a quiet alternative entertainment. And they were willing to share too!

    This is me playing with the devil.

    And I hereby thank the girl who took this shot of me, and I offer in return one I shot of her being toyed with by a kite-cursor. Thank you!

    •

    Another fine use of the elements and the infinite airspace above BM is an old favourite, the drifting black smokering. 60 feet across they are ‘blown’ and if breeze permits can march across the skyscape in series. I caught one drifting above a field of 300 poppies.

    Again simplicity, trial and error and combustible fuel are the ingredients in a spectacular display.

    The ringmaster at work loading his duel fuel apparatus…

    followed by the big bang and widespread fallout of unburned kerosene and a beautiful big black smokering!

    •
    I naturally get drawn to architectural pieces in all their BM diversity.

    The nautilus inspired Optic Sunbrella

    Common camp at on Dart and about 4.30. Two layers of HUGE parachute ripstop. Windblown it became a magical undulating being. Lying in a hammock looking up was like staring at the underside of a giant pulsating jellyfish.

    Michael Christian’s Elevation. Superbly constructed, finished and solid as a ….steel tower. Seating for one only at the top in the throne for ‘Me’.

    Something to do with a few hundred 4x2s.

    Temple details plus vista.

    The Zsu-Zsu emotiometer. Geeft me!
    •

    Night roadscene from Man to Temple.


    And daytime, vice versa.

    This articulated predatory piscine was one of my favorite heavy metal pieces. Beautiful, strong and detailed. (artist?)

    (economic crisis foretold at burningman!) The stork delivering a baby on a bomb was yet another beautifully designed and engineered, functional sculpture.

    It was pedal-powered transport, looked great, told a story and used flippers as wings.

    •

    The lamplighters are a shifting cult of devotees who perform the daily ritual of hanging lanterns on lightpoles along the mainstreets.

    Being at the Temple at Dawn, either from a night of wakefullness or sleep, is a grounding and peaceful experience.



    you can see a bunch more 2008 pix at http://www.callananphoto.com/burningman2008/

    or from previous years at

    In my criticism of Burningman’s dilution, as quantity threatens to occlude quality, I’ve got to keep reminding myself of the truism that one’s first Burn is usually the best. That means that every year thousands more experience the uniqueness of Burningman for the first time. And therein lies the hope. The newcomers can package their reactions and creativity and reshape it as they like. The challenge with Burningman is to be original and better than before.

    see you next year?
    Burn on.

    In conclusion I want to share an eloquent analysis of Burningman Art as written in the late 90s by Bay Area artist Larnie Fox (taken from the BM website http://www.burningman.com/installations/ )

    “There is a yet unnamed art movement that may prove to be of some significance, and Burning Man is close to its center. It often manifests itself as circus, ritual, and spectacle. It is a movement away from a dialogue between an individual artist and a sophisticated audience, and towards collaboration amongst a big, wild, free and diverse community. It is a movement away from galleries, schools and other institutions and towards an art produced in and for casual groups of participants, more akin to clans and tribes, based on aesthetic affinities and bonds of friendship. It is a movement away from static gallery art and formal theater and towards site-specific, time-specific installation and performance. It is a rejection of spoon-fed corporate culture and an affirmation of the homemade, the idiosyncratic, the personal. It is profoundly democratic. It is radically inclusive, it is a difficult challenge, and it is beckoning.”

  • The 5th of July

     

    Point Arena has it’s 4th of July parade and fireworks on almost any day in early July other than the 4th.  2008 was no exception. Because of the obvious demand for pyrotechnic performances on the Day of Independence, wily companies will offer serious discounts to towns willing to fudge dates. This was a tradition set by Raven Earlygrow, Point Arena’s mayor in the 80’s and the tradition lives on tho sadly he doesn´t. The temporal shift of America’s most sacred holiday is wholly in keeping with PA’s inherent irreverance for the Establishment. Too many old hippies and creative spirits for the town to be anything else, really. But that doesn’t stop ’em from flying flags and dancin’ in the street.
    Any excuse for a party.
    The Extra Action Dance Troupe from SF led the parade on a merry jaunt around and about downtown with a performance on a makeshift stage in the park behind the feed store.
    The parade runs down highway 1 through the length of downtown (one long block) much to the mixed amusement and disgruntlement of tourist traffic.
    With such a small population the number of people you know in the crowd and the parade makes it a true community gathering.
    !Viva!

     

     

     

     

     

     


     

     

     


  • La Charreada

    Mexico stock photography is a significant part of my business and I’m always on the lookout for bread n butter in the guise of archetypal Mexican imagery; a picture that is distinctly Mexican without any prompts other than the content and the context of the photograph. These are the images that advertisers love; when the picture tells the story and they can just come up with a coroborative and witty punch-line.
    In February dos mil ocho the stock photo mountain came to Mohammed, on horseback.
    So welcome to the ‘Lienzo Charro’, Vallarta-style.
    Make up your own captions.



    Google doesn’t know who Miguel “Prieto” Ibarra is and I didn’t think to ask on location in his namesake stadium, but suffice to say that the charreria took place in keyhole bullring in colonia Mojoneras in the backblocks of Vallarta at the height of the dusty season, 2008. But whether “Prieto’ was watching from the stands or is long gone and rounding up cattle in the big rancho in the sky, I’m sure he enjoyed the 6th National Charro Championship as much as I did, and these dudes too.

    It’s fun for all the family and any tourists or local extranjeros who were adventurous enough to go, saw one of Mexico’s most endearing and traditional cultural activities. In the north of the country it’s more commonly called a jaripeo, but by whatever name it goes there are strict tests to pass before one becomes a true and complete charro. One could be excused for thinking that posturing and alcohol consumption were also part of the competition.

    It was a scene of dust, leather, tequila, suede, sweat, cervezas, horseflesh, bravado, musica Norteño, some bewildered livestock, more beer, overworked baños, machismo, a great crowd y mas polvo. It starts under the noonday sun and ends under floodlight. I went twice and got there late afternoon, shot through sunset, twilight and into the mysterious world of sodium and neon. I haven’t processed the b&w (Neopan 1600) yet but the D2X pushed into the grainy zone of lofty ISOs did well.


    A charreada is a photographer’s smorgasbord. Not only in the ring but also backstage and within the stands. The trick is to keep moving and changing the background because the fore and midground are never hard to fill in this encapsulated exhibition of man and beast.


    Equal doses of active and passive lubed together by lashings of booze consumed by the watchers and the watched alike, the charreada is the equine equivalent of drink-driving with audience participation; it’s a well-paced spectacle of social interaction interspersed with spurts of activity from a long character list of willing exhibitionists and their obliging mounts.

    At the Vallarta Nationals there were 3 sessions a day and 4 teams of 8 riders representing ranches and charro associations from all over the Republic. They are judged by their peers.


    There is tradionally a competative sequence of 7 tests either performed individually or as a team. There’s a full description of each event at http://en.wikipedia.org/wiki/Charreria

    But whether you understand the rules or the ritual is less important than appreciating the event and by interacting with and participating in the overall spectacle.

    Viva Mexico!

    (I’ll drink to that.)

    To see more pix of the same event go to http://www.callananphoto.com/charreada/

  • Ayurveda Yoga Spa…….Villa Ananda

    My work these days is increasingly devoted to architectural photography, which I love, but anything can get stale when you do it all the time, so when opportunities arise to do something more freestyle I jump at the opportunity….


    Enter Mindy Reser and an urge to spread the wonders of Ayurveda, yoga and a sensorial array of holistic spa treatments.

    She has created Villa Ananda, on the beach at Punta del Burro. This is one of the most secluded and beautiful beaches on Banderas Bay (near Puerto Vallarta) and she and her guests have it to themselves and a few quiet neighbours. Apart from the spa facilities, other star attraction are the surf break and the sunsets.

    Villa Ananda is de lujo.

    and comprises pool, main house and spa centre.

    The beachfront setting is idyllic.

    Villa Ananda is many things:

    serene

    and peaceful.

    It is a place of fitness,

    wellness,

    comfort

    and beauty.

    A stay there is soothing,

    relaxing

    and is a place to sweat, chant and meditate.


    Villa Ananda is a place of healing.

    and is home to the simple, the good, the wholesome.

    It is a place for friends

    and groups.


    Villa Ananda is a happy and fun place.



    but be warned; you’ve got to bring your own beer !

    A more complete photo gallery is viewable at

  • A Weekend Away

    Puerto Vallarta is the sort of love:hate place you need to get away from every so often in order to keep that ratio in a healthy balance. Fortunately there are easy getaways in any compass direction (except west unless you have a boat or are a strong swimmer).

    A couple of weekends ago I went south about 100km to camp on the beach at Bahia Chamela at a place called Xametla. I took along Cashew for some company that didn’t require dialogue and together we had this beautiful place to ourselves. Cashew is a slightly silly version of a pit bull that doesn’t look for fights and avoids pits. She does however love to chase a moving target but doesn’t quite know what to do when the quarry is cornered. Cats and even squirrels usually have the last word. Tossed coconuts are more easily pursued, subdued and chewed.

    She loves the beach but never says no to a road trip anywhere.

    After a lazy start we’d arrived late in the afternoon but time enough to swim, walk and read a bit before the sun settled down for a prolonged sunset.

    The onshore breeze went with the sun and the extended twilight that followed heralded an annoying spate of no-see-ums (hehenes). Repeated infusions of cold beer dulled the annoyance and lime juice eased the itching. A glorious sunset and call to tripod also took the mind off the pesky little insects. We slept soundly, Cashew inviting herself into my hammock with the pre-dawn chill. What a pussy.

    A little further south down the Costa Alegre on the way to Careyes is one of my favourite seafood restaurants, La Viuda, which proves every time that you can’t beat fresh fish and that an eatery doesn’t have to be flash or expensive to be top notch.

    A secondary reason for the weekend away was to revisit careyes to present some photographic prints of a job I’d recently performed there, shooting some of their hallmark villas.

    A tertiary reason for the road trip was to watch some international polo as USA, Canada and Central America competed for the right to play in the 2008 World Polo Championship. Canada won. Mexico, being the host nation for the 2008 tournament also get to go.

    The afternoon’s event was a good spectacle but the highlight was when the excitable Cashew, who had been dutifully restrained from pursuing the equestrian targets, finally wriggled out of her collar and ran on to the field, causing chaos, general panic and eliciting curses from players and umpires but conservative cheers from the small crowd. She eventually singled out one retreating horse and gave a spirited and high speed chase down the length of the field, prompting one heckler to suggest that they paint a number on her flank for the next chukka. I’d have photos of the action but was too busy chasing after the bloody dog….!

    And as if that wasn’t excitement enough…. on the drive back to PV the next day we happened upon a recent accident involving a fuel tanker and a case of exceso de velocidad which delayed our return to PV but added some different photos to the weekend’s catalogue.

    Where to next weekend? Cashew’s next adventure?

    (fotovero)

    Stay tuned.

  • The Essential Vallarta – VIDEO

    My friend Adam, working his way into the video production business, was hired by the Marriott Hotel here in Puerto Vallarta to produce a new 30 minute in-house video. It needed to contain all the usual hotel services and facilities as well as some local tour options.
    Adam wanted to start the program with an animated ‘welcome’ introduction and asked me to do so using my persona of local photographer as the thread for the 4 minute skit. We laced the video footage with images from my archive.

    It was shot with a Canon XL2 camcorder and we did it all in one summer’s day, which at least partly explains my increasingly bedraggled appearance through the show!

    So now, if you’re staying at the Marriott at Marina Vallarta and happen to turn on the telly , this is what you’ll see every 30 minutes!

    Essential Vallarta

    (It’s a 10MB .mov file that will take a wee while to download)

  • GRCC v The World

    “I could never live in the USA again, but I could always live in Point Arena.”

    Eh? Howzat?

    Part of my rationale for that conundrum is cricket.

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    Just inland and over the ridgeline from the foggy northern californian coast there’s a magic place anonymously and unanimously referred to as The Land. It’s a tract of floodplain defined by the Garcia River and hemmed in by steep hills swathed in redwoods, myrtle, fir and madrone. http://en.wikipedia.org/wiki/Garcia_River

    The Land is one of the country’s oldest extant communes and home to an ageing but stalwart group of hippies who have carved out a blissfull existence there for themselves and their descendants. (For the uninformed, as a basic primer, Mendocino County wherein the city of Point Arena and The Land lie has an inordinate per capita registered artist population. Medical marijuana prescriptions are similarly abundant. Local surfers brave frigid waters, bull kelp and great white sharks to get their kicks. The 4th of July Parade happens on the 5th. Point Arena’s mayor when I lived there was Raven Earlygrow. It’s population hovers around 450. It’s a hideaway, a fresh start, an outpost of reality in a land of false dreams. It’s a gem, a real pearl amongst fool’s gold. )


    Smack in the middle of The Land is where Billy Rio lives. American passport holder but one who spent time in South Australia as a young teacher, his many passions include a love of cricket gleaned from sunny afternoons in the shady seats of the Don Bradman Stand at Adelaide Oval. By the fruit of his labours, his levelled backyard has, over the last decade and a half, become hallowed home to the Garcia River Cricket Club, and, like any institution it started humbly enough.

    The US was virtually cricket-free in the late 80s and before internet purchases become commonplace, in order to play the game we expats longed for, we had to make our own equipment. Being a rural community of self-sufficient sorts this wasn’t so extraordinary. Everyone had workshops, access to raw materials, and Time. So we all made bats of various constructions, from memory or copied from reference books at the library. Some were woodworks of art, others just 2x4s run through a bandsaw and finished with a coarse rasp. Some had a heft that would’ve challenged Paul Bunyan let alone Billy Rio’s tennis elbow.


    I had my schoolboy bat mailed over from Australia and shouldn’t have been as surprised as I was disappointed that I had long since outgrown the well-oiled willow wacker that still sported my Dymo-label name tag from 1971. Still, useless as it was to adults as a tool, it looked good behind Lonnie’s bar where it became an item of curiosity and conjecture amongst the locals who’d never seen one before. (The collection of homemade bats eventually made it into a local art exhibit as a mobile installation.)

    Ants the canny Welshman was the master of the six-stitcher. He fancied himself a spinner and hand-crafted leather balls in better than fair likeness and action to the real thing. The new millenium provided us with access to the sports stores of the world and so our gear evolved into a more authentic collection of bats, balls, wickets, pads and even boxes and helmuts for those with breakable items deemed worthy of protection.

    (There’s an ongoing battle over the wisdom of using rubberised, practice balls versus the real hard balls but the unmistakable sound and feel of leather on willow really left no doubt in the minds of the true believers!)

    The ground is a groomed, flat clearing in a forest of tall trees and cottage-sized stumps of giants past; An enormous and beautiful bay tree is the centrepiece of a large grassy area borderd by the river and a Billy’s rickety home, inhabited by deer and goafers except on sundays in summer when it gets overtaken by a mob of various men and women united in their pursuit of a good time and a leather-bound ball.


    It is the colonial tradition in its best bastardised form, fuelled by buckets of beer and a drinks trolley laden with little else than family-sized bottles of gin and tonic. Food in the form of barbequable meats, garnished with organically grown salads repletes the package. Just add a scent of bay tree oil, dose liberally with sunshine, true friends and a melangerie of pets and you have the ingredients for the perfect Sunday.

    Players emerge from the redwoods on summer Sundays like morels after spring rains. They are transplants from colonial outposts as far away as the West Indies, Australia and of course the Poms and their relatives from all over the British Isles. Some have it in the blood by birthright, others have absorbed cricket osmotically during stints abroad. Locals, seeing how much fun we have, just wanna give it a try. (Un-educating Americans from the ingrained habits of baseball is a constant challenge and a lesson in tolerance, but sorry, holding the bat over your shoulder and throwing it away after you connect just isn’t cricket. Nor do we pitch, strike or spit tobacco juice, though we do share with baseballers a common awe of grass stains and bloodied elbows as measures of sporting effort.)


    Ageing as we all are and in various stages of decrepitude and vital signs, the day’s proceedings are a compromise b/w youthful enthusiasm and the wisdon of middle age and usually follow a routine of pre-lubrication, warm-up practice, a drinks break and a session of play wherein a sequence of chalkboard batter’s names are run through against whomever feels like having a bowl. No teams as such, no real innings; the timing of play v break depends on hunger, thirst, collective stamina and if the cook is on task and whether or not the dogs have scarfed the BBQ meat. A post-prandial session, afternoon drinks-break and maybe a final bat n bowl session before the lengthening shadows and creeping cool from the river drive us either indoors or to stoking the fires. The one day of the week when too much sport is barely enough often culminates in a game of bocce which is one of the few ballsports which permits drinking during play.

    And if you’re lucky and I’ve had enough to drink you might even get a rendition of Thomas E Spencer’s Australian bush ballad called “How McDougal Topped the Score”, a family favourite. http://www.bushverse.com/spencer/mcdougal.htm

    Now don’t get me wrong, and don’t confuse our casual, apparently lackadaisical approach to cricket for lack of keeness. We all love the game and we all play to the best of our respective abilities; catches are dived for, runs made at the stretch and appeals always lustfully proclaimed. We just like the off-time too. It’s all about having some fun. Beer, skittles, poetry, whatever it takes.

    The 2006 season finale was punctuated with a visit by a team from the Big Smoke, San Francisco. This important-sounding event was much anticipated and talked about and even trained-for. More grog was procured and extra sausos ordered. The grounds were given a little more attention than usual; the boundary cleared of scrub and nettles and roped off; the baytree’s lower limbs trimmed to above-head height and the ankle-breaking goafer holes on and off the pitch filled with alluvial topsoil, tamped, rolled, mowed and watered enough to keep the pesky rodents confused, damp and less eager to burrow for a spell. (An air rifle or a terrier are other powerful disuaders.)

    Little did we know that the city-slickers were even more hopeless than ourselves! We trounced ’em at cricket but they saved socialn face by bringing along their own jug band and entertained us musically into and half-through the night.
    .


    The gathering cold and darkness prompted one final, fanciful fling…..

    Roused to action by Billy Rio, the remaining revellers removed themselves from the firesides and bandstands for the commerative Napoleonic Squat. As narrated in Billy’s well rehearsed preface to the event, Napoleon’s troops, the devastated French soldiers, retreating from their anti-climactic occupation of Moscow in the particularly harsh winter of 1812, invented an ingenious and necessary method of avoiding undue contact with the frozen ground during the long nights……


    Go on – get a bunch of people together, 20 or more, and try this: form a tight circle, front to back, almost touching the person in front of you and then, all at once, just sit down. Your knees become the seat for the person in front of you and you sit in the lap of the person behind you. The articulated human ring supports itself completely, generating and containing its own warmth. Every hour or so you wake up, stand up, about-face and sit down again. Beats sleeping on frozen tundra! This is Bily’s little tribute to cooperative behaviour, a fitting statement for a commune of cricketers. Of course our non life-threatening exercises of The Squat usually end in collapse not from structural failure but from the group guffaws!

    The stumps were pulled for another day, another season. The pavilion enjoyed a final morning-after cleanup and then abandoned to the coming winter, the flooding river and the wandering deer. The redwoods creep upward, the drinks trolley parked, the bats given a winterising treatment of linseed oil, the goafers left to do whatever goafers do without the threat of being shot at or mown and the ladies and gentlemen of the GRCC go back to their netsuke-carving, their book writing, their accounting, their farms, their mathematics, their schoolteaching, their art, their ambulances, their construction sites, wharves and theatres, their photography and their philosophy, their partners, their gardens, their rescue teams, their barstools and their dogs and dream of cricket next year.

  • Fun with Portraiture Part One

    If architectural studies of homes and hotels http://www.callananphoto.com/mexicohotels/are my bread n butter then people are my sandwich filler of choice. The options are wildly more interesting, and especially so if i’m working for creative art departments with a vision beyond the norm.

    Thierry Blouet was a recent subject. Vallarta’s most celebrated gourmand and foody entrepreneur is always looking for ways to stand out from the crowd and attract customers to his downtown establishment Cafe des Artistes http://www.cafedesartistes.com/ . Over years of successful patronage, that restaurant has evolved into much more than a sophistocated eatery and now involves several styles (and prices) of gastronomic experiences under the same roof as well as a piano bar, a cellar and even a modest range of fashion accessories for those women whose appetites extend beyond the culinary.

    In keeping with the chef’s flambouyant style his advertising agency http://colofon.com.mx/ were looking for something striking for some billboards. The first involved flambé a la playa. The shot was not without complications and apart from the need for dramatic backlighting and flaming skillet, also required that I risk a new Nikon D2X with salty splashes, a chef who was prepared to stand in full regalia waist deep in the beachbreak and an assistant brave enough to shoulder the high-voltage ballast box and strobes to the water’s edge.

    These combined efforts plus some dedicated post-production PhotoShop work yielded this result:

    As with many photosessions the serendipitous shots are often just as rewarding. Our evening at the beach also produced a great moment between Thierry and his son, Sebastian.

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    The other session was far less complicated but again called for the use of strobes though without the obvious risks of electrocution.

    We started modestly with large fruit and vegies

    and worked our way into more frivolous activities

    which the PhotoShopping billboarders eventually construed to produce:

    et voila!

  • BELIZE – Go Slow

    field report #4



    Wikipedia tells the Belize story more thoroughly http://en.wikipedia.org/wiki/Belize but I have better pictures! http://www.callananphoto.com/belize/

    To someone used to living in Mexico, Belize is a bit of an anomaly. The two countries are joined at the hip of the Yucatan peninsula but differ greatly in demographics and history. Mexico is Spanish from its Mayan head to its Toltec toes. But Belize, known as the British Honduras until 1973 still carries the Queen of England’s smiling face on their currency, so the heritage is british colonial laced with piracy and its inhabitants are black and speak english, though the overall ethnicity of the islands and the country are more complex than black and white, english or spanish speaking.



    The country is organically rich, meaning it has ecosystems that have a high turnover of biomass and are reproductively fecund like her inland jungles, mangroves and wetlands coastally and the world’s second largest barrier reef lying just off her shore. these features and their ancillary activities are her main tourist attractions. Inland theer are forests and mayan ruins and bad roads but they will all have to wait for another trip.

    This visit was restricted to the coastal fringe and most specifically to Caye Caulker and Ambergris Caye (and a cricket ground outside Belize City covered in a blog below http://callananphoto.blogspot.com/2006/03/flying-visit-to-baja.html).

    The Cayes are tiny coralline islands fringed by reef. Most are about as wide as an airstrip is long and you can ride a bike from one end to the the other in about ummm 20 mins without shifting gears.

    The island’s motto is, afterall, “go slow”. And so while I slowly criss-crossed and circumperambulated the islands my eye was always caught by hand-painted signs and simple advertising artworks, examples of which were in great abundance and style.

    I seem to also be attracted to sequential shots which makes me think I should be looking to a video camera….


    Being so narrow, the cayes make it easy to catch the sundown and sunup lighting effects westwards and eastwards almost simultaneously and with clear views to the horizon, though sunsets were almost always more colourful and spectacular.

    I also enjoyed experimenting with long exposures in low light, letting the tripod and the processor do the work. It always amazes me how much available light and colour there is that can be gathered over time compared to what we see instantly as ‘dark’. Night-vision glasses with a 30 second delay.

    Boats, and sailboats in particular, have been a big part of my life and I am always attracted by their myriad shapes and sizes and purposes, whether they carry idle wunderlusters around the world or loads of sand or tourists between islands.

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    For more photos and less words about photography and Belize visit: http://www.callananphoto.com/belize/

  • British Virgin Islands – Pirate’s Paradise


    Pirates had excellent taste in venues for plying their trade and traffic. The BVI are Paradise indeed and are still so largely because the swashbuckling traditions of rape and pillage have thankfully not extended to the modern vernacular of the real estate and tourism industries. No high-rise, no traffic, no high density dwellings, no crimes of greed.

    These islands remain blissfully underdeveloped and largely unspoiled. Hillsides dotted with homes, not plastered; beaches clean and accessible. Large tracts of verdant land and their surrounding azure waters are protected, which, opposed to coastal Mexico’s current chaotic land grabbage, was a delightful respite from a trend that is short-sighted and, like extinction, irreversible.

    Promoting and preserving what occurs naturally and being low-key and harmonious with what could hardly be improved upon is the BVI’s code for long-term success. And don’t think you can’t make money being conservative – room rates are high but worth it; sail charter fleets are fully booked and the envy of other cruising grounds, luxury boutique resorts do a brisk trade; large private estates are for sale, even whole islands like Necker owned by Virgin’s Sir Richard Branson (how appropriate!) http://www.virgin.com/subsites/necker/.

    Amidst the success there is no excess; beaches are so abundant that crowding is rarely an issue (except for a few famous exceptions); locals win, tourists win, coral and fish and hardwoods win. Sensible.

    OK. Pontification over. The pictures tell the story better.



    Weirdest thing about driving around Tortola’s narrow winding roads is that the steering wheel is on the left, courtesy of easy US imports, but one drives on the left also, courtesy of the British heritage. Not driving along the centre-line takes a little getting used to. That’s why all the rental cars come with stickers plastered above the dashboard saying ” keep to the left – use horn frequently.” Honk if you’re happy (or about to head-on).

    Tortola, seat of the capital and the largest island in the group of about 30, is bite-sized and easily explored, superficialy at least, in a day. But once you start exploring you want to stop at every look-out and every beach, ‘cos it’s all beautiful. One favourite ‘discovery’ was Josiah’s Bay on the northshore. There’s a few cafes/bars and bungalows but otherwise just a good longboard ride or a bodybash in crystal clear waters.

    Closer to the west end of the island was Cane Garden Bay, a classic refuge for sailors and land-lubbers alike. The view goes on forever to a horizon of tradewind cumulous clouds over sand-fringed headlands and the tourquoise Caribbean sea. Yum.

    Cane Garden is also a great place to ahem, just hang out.

    Evening is even more tranquil.

    On a more socially active note, this north coast is also famous for full moon parties thrown at beachside bars like Bomba’s on Cappoon’s Bay which somehow survive (or at least get rebuilt after) every hurricane season – shack sense; keep it simple and Irie. Wet T’s optional.

    I went to Tortola to photograph a beautiful house called The Distillery. From its elevated position on Greenbank Hill the view included another gem called Brewer’s Bay. The weather cock perched on top of the pavillion by the tennis court was free. The rest of the property is available for US$4.85 mil. Worth every cent.

    http://www.callananphoto.com/distillery/

    Closer inspection of Brewer’s Bay is pretty too.

    A casual tour of the island will reveal roofs of corrugated iron in outrageous tones of lilac, pale green and lipstick red with complementary colours in the trim of wooden railings, verandah posts and window frames.

    You’ll also see art, spontaneous or sponsored, everywhere.

    BVI’s international airport is on Beef Island, joined to Tortola by a bridge over a narrow channel. Trellis Bay is the hub of societal life on Beef Is. where cafes, galleries and the sea-to-shore traffic from the anchored charter boats maintains a mildly active sense of purpose to an otherwise langourous scene. From there you an catch a short free ferry ride to the coral-fringed island of Bellamy Cay, home of the Last Resort.

    This picturesque idyll provides cabin accommodations, restaurant, live happy hour music at the bar, internet access, beach chairs, great swimming and privacy with a 360° view.

    Due east of Tortola and Beef Islands lies another of BVI’s treasures, Virgin Gorda. I was advised by many not to leave the BVI without visiting a national park there called The Baths. Good advice.

    We got there by the first morning ferry/taxi and enjoyed the solitude of a truly beautiful place. Lesson was learned a few hours later after a visiting cruise ship (to Tortola) deposited a large proportion of its passengers on the hitherto deserted beaches and boulder-strewn shoreline.

    Before

    After

    By that time though we’d had enough sun and there were plenty of secret shady retreats amongst the boulders and lapping tide.

    Perfect.

    Stay tuned for a more complete gallery of images from this trip.

    yep. I still love my job.

error: Photos are Copyright © Mark Callanan